
Since I had to lead a training on Saturday morning, I worked a half-day on Friday and went to a matinee, where I dropped in on the theater and exchanged a free movie pass I had for a ticket to the next movie on the schedule, which just happened to be
Cloverfield, a new hyped-up monster movie that I first heard about when I saw the enigmatic preview, featuring camcorder footage of New York City being destroyed and the Statue of Liberty spectacularly decapitated, before the Transformers movie last summer. I didn't get too caught up in the buzz that preceded the films release, but I was pleased enough to go check out a new monster movie even though there are a few other films out that I would have rather seen if the schedules had been more accommodating (sorry, those reviews for Juno, Charlie Wilson's War and No Country For Old Men will have to wait til later...) And I had managed to pick up enough of the marketing to know that
Cloverfield intended to be an "event" movie of sorts, though I really wasn't clear on what the gimmick was.
So I sat down just as the previews were finishing up and noted that the audience were mainly a bunch of young guys, suburbanites, the kind of people who probably spend a fair amount of time on the
internet and playing video games. It wouldn't have surprised me if I turned out to be the oldest guy there (I'm 46.) Given that it was an early afternoon weekday showing, that would make some sense - but I had a distinct sense of being at the farther range of the movie's target audience. I think this is relevant information for what I have to say about the film.
And I'm about to lay out lots of spoilers so stop here if you plan to see it and want to be surprised.The show starts abruptly, with color bars and a lead-in text indicating that what follows is a "found tape" that is now owned by the US Government. There turn out to be two distinct recordings on the tape, one made in April, the other in May of an unspecified year. The April section is a happy and pleasant document of time spent together by two attractive young people, a man and woman. Taped over the top of that is first, a context-establishing scene of that same couple and dozens of their friends at a loft party in Manhattan where various relational dramas unfold and we meet the characters who are about to be traumatized by this horrifying monster attack. Because of the vagaries of how the stop/start/record buttons are hit throughout the course of the catastrophe that follows, little snippets of April's happier times occasionally pop up to punctuate the narrative, adding ironic disclosures and plot twists every time they occur. But the main course is, of course, the impressive cinema
verite' capture of unfathomable terror and destruction as a gigantic and ugly force of nature unfurls its wrath on the greatest city in the world.
So we do indeed have a massive gimmick here and for what it is, the filmmakers came through quite impressively, making what must be very sophisticated
CGI effects come across on the screen as if they were captured in a hand-held viewfinder. But like other gimmick films, one has to really suspend disbelief and actively decide to go along for the ride in order to enjoy the proceedings, and there are some obstacles that I had to overcome to even give the film a chance. Overall, I'd rate the movie a perfect 5 on a 1 to 10 scale - for each of the positives I can name, an equally significant negative sits right there to counteract it.
Visuals: The "10" is the aforementioned effects work, where it looks for all the world like what's portrayed on screen was what the characters saw in real life. The technical aspects are pretty seamless, or at least they were on first view in the theater - I never had to roll my eyes feeling wearily over-exposed to obviously rendered computerized cartoon effects. The "1" drawback to this approach is that the use of shaky camera shots for many minutes at a time really can induce nausea. I had eaten an "Italian classic" sandwich for lunch before the film and I have to admit, I did not feel very good as the undigested food never really got a chance to settle, with all the camera bouncing and crazy angles. I seriously advise seeing this film on an empty stomach if you have any kind of motion-sickness tendencies. I needed to take a break about midway through just to get over the queasiness and missed the collapse of the Brooklyn Bridge (oh too bad.) I also have to wonder if large-screen digital projection is the best way to see this work. It seems to me that camcorder images were never designed to be viewed on that scale and I think it would work just as well or better on a large scale TV.
Story: The innovative approach of stringing this story together as a found tape is clever and well-executed, though the extremely coincidental but poignant sequencing of the narrative requires us to relinquish any challenges based on the laws of probability. A lot of planning had to go into putting this story together in such a way that it could appear to be a random, unintentionally produced video record of uncommon but historically significant events (assuming that such a thing were to ever actually happen.) So watching it puts us in this weird zone of looking at something that is supposed to appear realistic and credible, yet the evidence presented to us utterly reeks of artifice and manipulation!
Characters: I simply could not care about or take seriously the central personalities involved. Their lives and motivations didn't connect with mine in any meaningful way, and the premise of going back into a city under unimaginable siege by a fearsome monster, to rescue a friend when people are being killed randomly all around you, and furthermore having one guy operating the camcorder throughout it all - this all just strains credibility at a fundamental level. People simply don't behave that way - though it's of course possible to "act" that way. Most everyone at the party fit that same 21-27 year old age range, similar to the people I saw around me in the audience, and their banter and interests just seemed too similar to what I see on those dreadful young-adult oriented reality TV shows when I'm channel surfing.
Overall message: There was none, really. No insight or comment on the "human condition" came through what I saw - there's of course always that "will to survive" thing but that was about it, and even then the story was mainly a series of close calls and narrow escapes, basically "stunts" that the characters had to survive in order to progress to the next nail-biter, until the final scene which really just leaves us hanging, nothing really explained but plenty of room for more films, or should I say "tapes" in this series? I found out afterward that the guy who directed this also made the TV series "Lost" which I've never allowed myself to get hooked on because I just don't watch episode TV all that much, but this information indicates to me the perspective that a film like this is coming from. I'm basically talking about ephemeral postmodern entertainment that has just about as much significance as the creation or the mastery (as a player) of a high-end
videogame. Which is to say, there is significance, but it's a self-contained world, it seems to me, where there is little connection to the larger, non-gaming community or the human concerns that people in general have in common. As far as I could tell,
Cloverfield really doesn't have anything to say to people, it's more of a reflection of attitudes and perceptions that occur within its target audience. Others have already pointed out how similar the destruction of Manhattan in the film was to the video footage of the collapse of the World Trade Center in 2001. And I think
Cloverfield comes from that same, slightly numbed-out and helpless vantage point of "
wtf is going on around here" that so many of us felt, and I imagine young people in particular, on that day and in the months and years since. I think we can add the video footage of the "shock and awe" bombardment of Baghdad in 2003 to that same catalog of mediated video visualizations of destruction that today's young adults have grown up with. And the
YouTube/
MySpace connection is already part of the conventional wisdom on what this film represents.
Since I saw it, I've discovered that a lot of viral marketing has gone into creating the buzz for this movie. There are websites and hidden clues all over the
internet that provide fascinating
backstory for those inclined to chase those loose threads and weave them into something. I don't expect that I'll follow up on that offer - there was a time when this idea would have intrigued me but I'm older now and I have more important things to do on the computer. It could just be that my ability to fully enjoy this latest variation on the perennial monster-movie theme is declining with age and worldly preoccupation. Despite my mixed review of the film, I found it worth seeing and its images will probably stick with me a lot longer than I Am Legend, the other recent sci-
fi monster flick I've seen. I will be interested in hearing what my 20 year old sons have to say about this movie.