
After weeks of anticipation and enduring the knowledge that several of my friends and my own children had seen it before I had a chance to, I finally made my pilgrimage to see the new Julie Taymor film
"Across The Universe." Now I knew from the minute I heard about this project that I would ultimately want to own the DVD and watch it multiple times. The people who told me that they'd seen the movie all said it was great and that I would really love it. So my expectations were high but I am pleased to say that I was in no way disappointed - in fact, I think it surpassed what I was hoping for because there wasn't a scene or probably even a frame of the film that I feel the need to overlook or minimize in order to say that this is a thoroughly enjoyable cinematic experience.
I was enthralled right from the opening shot of a young man sitting on the beach singing "Girl." I have the entire Beatles official catalog pretty much burned into the root sector of my internal hard drive and I've also assembled a pretty decent collection of various cover versions of Beatles material as well, but I really appreciated the way that their music was used in ATU. The film was vastly improved by having the actors sing the songs rather than dubbing in the originals in the soundtrack. Hearing a bunch of young people singing the lyrics, particularly the straightforward love songs at the beginning, brought the messages forward and freshened up the listening experience considerably. I don't have the soundtrack yet and I don't know that I'll be zipping right out to get it either - I'll wait for a good bargain somewhere in the future - but the application of Taymor's incredible visual imagination with these timeless and well-crafted songs was simply brilliant to behold and I could have happily sat through an additional hour or more of watching what she came up with. But this was perfectly satisfying enough just as is.
So what is ATU about? I would call it a multisensory mythologizing of the 1960's that utilizes historic events, archetypal characters and images, vivid colors, set designs, costumes, choreography, puppetry, animation and of course the music to evoke a range of emotions as it tells coming-of-age stories that most of us can relate to in some way or another. I thought of "Forrest Gump" on a few occasions as I saw various recreations of scenes familiar to and central to the lives of American Baby Boomers in the 1960's. Though of course there are big differences between those two films - ATU being a lot more daring, provocative and politically uncompromising (even though I consider Forrest Gump to be an excellent, entertaining film in its own right.)
It helps -
a lot - to have a thorough-going familiarity with the Beatles' canon in order to fully enjoy all that Taymor and crew have packed into the production. Not just their music, but the visuals and the story and the context of each of the Beatles' albums as they were released in those pivotal years between 1963 and 1970. There are tons of inside jokes, visual quotes and subtle twists thrown in all throughout the film. I imagine that there are already websites or chatrooms full of Beatle-fanatics who've deciphered and cataloged the references much the same way they did when the "Free As A Bird" and "Real Love" videos were released in conjunction with the Anthology CDs in the mid-90s.
But even if you only know the hits, I imagine that this film will easily generate a devoted cult-following among those who enjoy the trippy visual effects, innovative animation and dance sequences and the appealing performances of the young and attractive cast members. Evan Rachel Wood did a wonderful job portraying her transformation from a rich, naive "Suzy Creamcheese" into a socially-conscious but disillusioned young woman. She is an exceptional young actress who has already demonstrated a willingness to take on adventurous roles. Jim Sturgess looks like the genetic hybrid of a young Paul McCartney (eyes, hair and puppy dog air of vulnerability) and a young George Harrison (the sharper angular features), perfect for the part of a dock worker from Liverpool who finds his way to America. There's also surrogate "Janis Joplin" and "Jimi Hendrix" characters as well as several others who fill the requisite parts to create an alt-universe version of the 60's as many of us would like to imagine it, and now can quite easily with the assistance of Ms. Taymor. She is clearly now in the upper ranks of film-makers who I will be tracking anytime she has a creative hand in something. I watched "Titus" again last night in preparation for ATU today and I'm so impressed with her craftsmanship and freewheeling, psychedelic sense of style.
What else can I add here? The narrative hits most of the high points of the 60's cultural timeline. The transition from straight-laced and sheltered "sock hops" youth culture to a more open, grittier outlook on life. Civil rights, urban riots, the draft, Vietnam, pot and acid, the radical left, mass demonstrations, assassinations, free love and student protests. About the only thing that didn't get included was the bitter aftermath of calamity following the Altamont debacle and the deaths-by-overdose of Joplin and Hendrix. Oh, I guess the NASA space program didn't get much mention at least that I can recall. But pretty much everything else was there.
As always, I'm willing to expand on this in the comments section, but I will conclude by giving this movie my highest recommendation. It's easily the most enjoyable time I've had in the theater this year and I don't know of anything coming out that's likely to top it.